Beyonce

About a half-hour into her 2019 concert documentary, HOMECOMING, Beyoncé Knowles says, “When I decided to do Coachella, instead of me pullin’ out my flower crown, it was more important that I brought our culture”—in this case, the homecoming rituals of historically Black colleges and universities in the American South. An incredible show, no doubt. But the real impact lay in realizing how few of the millions of people watching her had probably seen anything like it.\n\nOf course, this is what Beyoncé does. Few modern pop artists have worked as hard to put the culture and concerns of Black America in front of a broader audience, whether it’s civil rights (“Formation”), Black feminism (“***Flawless,” “Irreplaceable”), the collective pride of HBCU culture HOMECOMING, or the liberations of disco and house music RENAISSANCE. Entertainment, yes—but also a kind of ambassadorship.Born in 1981 and raised in Houston, she started singing and dancing as a child. (One teacher, Darlette Johnson, discovered she could sing when she started humming a song and Knowles finished it—a performance the shy Knowles wouldn’t reproduce until Johnson offered her a dollar.) In 1990, she joined Girl’s Tyme, which evolved into Destiny’s Child. Under the management of Knowles’ father, Mathew, they became one of the biggest forces in pop, blending the familiar comforts of the all-girl vocal group with notions of female empowerment, sisterhood, and a refreshingly contemporary mix of pop, R&B, and hip-hop (“Bills, Bills, Bills,” “Say My Name,” “Survivor,” “Soldier”).\n\nHer first solo feature was on a track by her future husband, JAY-Z (“’03 Bonnie & Clyde”), marking the beginning of a fertile partnership and a point of enduring public fascination. (The song was also helmed by a rising Chicago producer named Kanye West, who flipped a 2Pac sample—“Me and My Girlfriend”—into a desperado set piece.)